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If you have free front row tickets to both and I have to choose. I choose Kiss. I would enjoy it more.
I respect NWA more, but I just don't want to listen to their music.
Fun story. My uncle is a good ol' country boy. He likes rock, too, but five bucks says the radio in his Camaro is set to a country station right now. Anyway, he's a huge fan of that Gourds cover of Gin and Juice. After he listened to that, he started listening to other rap songs being covered by non-rap acts, and even asked his daughters about some of these hip hop artists. He listened to some, and still hates it, but he'll tell you now that he has a deeper appreciation for just how good some of them are as musicians, and that the only reason he doesn't like them is that they just aren't the right genre for his tastes.Okay, I'm sitting here shanti, imagining you at an NWA concert in LA circa 1988 and it's just not workin for me. vbg..
Yea, to each his own and all, but I really have a problem with Gene fking Simmons acting like he's some kind of respected musician instead of a dress up clown with a long tongue.
It's really not about who's better, just sayin. Though NWA are much better artists based on creativity alone. Kiss was paint by number and a pop act. .
Music is a audio art form, and Gene was a complete poser. Literally a poser. Fact: His posing was more important to Kiss' *cough cough* music than his playing. That makes him a joke. He should know his place. Clown acts should never speak ill about other people's art.
Edit: it would be like Flava Flav bitchin' about Page.
Fun story. My uncle is a good ol' country boy. He likes rock, too, but five bucks says the radio in his Camaro is set to a country station right now. Anyway, he's a huge fan of that Gourds cover of Gin and Juice. After he listened to that, he started listening to other rap songs being covered by non-rap acts, and even asked his daughters about some of these hip hop artists. He listened to some, and still hates it, but he'll tell you now that he has a deeper appreciation for just how good some of them are as musicians, and that the only reason he doesn't like them is that they just aren't the right genre for his tastes.
Exception: He loves Snoop. Absolutely adores him. But I don't think that's the music; I think it's the persona. I think he loves Snoop because, of all the hip hop artists, he's the one most likely to be in a bus passing a joint to Willie, and there's nothing my uncle would rather do that smoke up with Willie.
Kiss Destroyer was the second album I ever bought. It was also the first album I ever traded. I got over them in a summer. I like a few of their songs, not many, but a few, but yea.
Seriously, you know that little melody of Beth played by violins. They couldn't figure out how to arrange it on guitar and bass for MTV unplugged. So Thayer (IIRC) does it in about ten minutes and teaches it to them over the next few days.
This is a major touring band well into their career not being able to figure out a simple 5 note melody of one of their songs. WTF? That's like not being able to beat a 2/3 zone 17 years into coaching. They "played" a recording of the track for years upon years "live"..
They couldn't take two hours to figure that out? I mean, how embarrassed would you be if you left the stage to the singer and let him sing over a recording of someone else, not your band, playing the music. That's embarrassing. It's akin to lip syncing. Just in the opposite direction.
and, he's actually bitching about rap. Get me? Gene is a complete dumb fk and probably thinks a bit too much of his value to music.
Okay, I'm sitting here shanti, imagining you at an NWA concert in LA circa 1988 and it's just not workin for me. vbg..
Yea, to each his own and all, but I really have a problem with Gene fking Simmons acting like he's some kind of respected musician instead of a dress up clown with a long tongue.
It's really not about who's better, just sayin. Though NWA are much better artists based on creativity alone. Kiss was paint by number and a pop act. .
Music is a audio art form, and Gene was a complete poser. Literally a poser. Fact: His posing was more important to Kiss' *cough cough* music than his playing. That makes him a joke. He should know his place. Clown acts should never speak ill about other people's art.
Edit: it would be like Flava Flav bitchin' about Page.
Before there was internet porn, there was USA Up All Night.
I've always thought NWA is overrated. I think Dre is kind of a hack, and Ice Cube is the only real talent in the group. The best thing they had going for them is timing. They are studio gangsters for the most part, and they kicked down the door for a lot of awful music/culture as it relates hip-hop. NWA made one respected album that has 5 or so good tracks: Dopeman, F the Police, SOC, Gangsta Gangsta, and one other I'm forgetting. The rest of that album is almost unlistenable. Compare their discography to Public Enemy's and it's laughable how much better PE is.
I know I'll get killed for saying Dre is a hack. He is a great businessman first and foremost. Ice Cube was the visionary.
I think it's strange to put NWA in the Rock & Roll hall of fame, but WGAFF at the end of the day. I guess I'm going with Kiss on this one.
That's an under-appreciated VH albumNope, lived there a couple years and moved back to the mean streets of Tell City.
I'm with you. Though I mentioned yesterday that I liked a few of their riffs, I always recognized them for what they were even then. KISS was a brilliant marketing ploy. But to confuse what they did with art would be ridiculous, and Gene should just shut his mouth and count his money.Kiss Destroyer was the second album I ever bought. It was also the first album I ever traded. I got over them in a summer. I like a few of their songs, not many, but a few, but yea.
Seriously, you know that little melody of Beth played by violins. They couldn't figure out how to arrange it on guitar and bass for MTV unplugged. So Thayer (IIRC) does it in about ten minutes and teaches it to them over the next few days.
This is a major touring band well into their career not being able to figure out a simple 5 note melody of one of their songs. WTF? That's like not being able to beat a 2/3 zone 17 years into coaching. They "played" a recording of the track for years upon years "live"..
They couldn't take two hours to figure that out? I mean, how embarrassed would you be if you left the stage to the singer and let him sing over a recording of someone else, not your band, playing the music. That's embarrassing. It's akin to lip syncing. Just in the opposite direction.
and, he's actually bitching about rap. Get me? Gene is a complete dumb fk and probably thinks a bit too much of his value to music.
You're trying too hard.
Gotcha. In the mid to late 1980s my musical world consisted of SRV, Iron Maiden, Roth era Van Halen, REM, U2, Joy Division, Rush, Floyd and Zeppelin. I was rather militant and close minded to other musical genres.
The dude wrote exceptional beats, he basically showed the world how to do them and everyone followed suit. There is no more influential person in rap, musically.. Yes, you deserve to be be killed for that remark. I don't think you really get how music is made or what it takes to make it.I know I'll get killed for saying Dre is a hack.
The dude wrote exceptional beats, he basically showed the world how to do them and everyone followed suit. There is no more influential person in rap, musically.. Yes, you deserve to be be killed for that remark. I don't think you really get how music is made or what it takes to make it.
Sure he sampled. But, the creative process is exactly the same as a person who composes and plays. Plus, every riff has already been done. There's only 7 notes (with variation) in the western scale, no matter if a person uses a riff from a recording or plays the same riff, that riff has already been used countless times. Jimi Hendrix didn't invent an A to B legato. It was when, where and how he used it that counted.Let's give some of the credit where it's due, though:
Sure he sampled. But, the creative process is exactly the same as a person who composes and plays. Plus, every riff has already been done. There's only 7 notes (with variation) in the western scale, no matter if a person uses a riff from a recording or plays the same riff, that riff has already been used countless times. Jimi Hendrix didn't invent an A to B legato. It was when, where and how he used it that counted.
I've always thought NWA is overrated. I think Dre is kind of a hack, and Ice Cube is the only real talent in the group. The best thing they had going for them is timing. They are studio gangsters for the most part, and they kicked down the door for a lot of awful music/culture as it relates hip-hop. NWA made one respected album that has 5 or so good tracks: Dopeman, F the Police, SOC, Gangsta Gangsta, and one other I'm forgetting. The rest of that album is almost unlistenable. Compare their discography to Public Enemy's and it's laughable how much better PE is.
I know I'll get killed for saying Dre is a hack. He is a great businessman first and foremost. Ice Cube was the visionary.
I think it's strange to put NWA in the Rock & Roll hall of fame, but WGAFF at the end of the day. I guess I'm going with Kiss on this one.
Africa Bambatta, Jazzy Jay, Rick Rubin, Def Jam, etc all came before Dre. The entire Chronic album is direct rip offs of old soul/funk records and that was 1992. (Pete Rock, DJ Priemier, Bomb Squaud, etc. were all active). It's fun to listen to, but where is the genius in that? The Ice Ice Baby ripoff of Under Pressure sounds like a Dre beat.The dude wrote exceptional beats, he basically showed the world how to do them and everyone followed suit. There is no more influential person in rap, musically.. Yes, you deserve to be be killed for that remark. I don't think you really get how music is made or what it takes to make it.
There are small children throughout this country that can do what Gene Simmons did on a musical level. His aptitude in playing, creating and writing is novice at best. The only thing he did well was play dolly dress up, and stick out his tongue (Miley Cyrus can do that too) which has nothing to do with music. That cannot be said about Dre.
PE and NWA took rap from sounding Dr Suess childish and made it sound adult and professional. Dre especially changed what rap "music" would sound like for the next decade. As far as being a vocalist, that's not his thing. His thing was composition, arrangement and studio production. Studio production is one area where rap eventually overtook other forms. Dre beats and composition were basically copied and emulated by everyone.Eazy E was comparable to Ice Cube, and Dre. was/is a great producer. His business, before headphones, was laying down beats and spotting talent. He's better at that than rapping, but that is just as much "artistic" as business.
Like I said, you have no clue what it takes to create a song. I get you like Kiss better. I get you like Slayer better than Jane's (another silly comment you made based on not understanding the art) but you don't understand what artistic creativity is (you only know what you like) and it's very evident in your first paragraph. You may like or dislike music, and think you have an opinion but without any fundamental understanding of it, well..... Therefore your opinion is purely subjective and arbitrary at best and in no way can you judge competency or proficiency. It's like judging how good a person can dribble, without ever dribbling yourself, (Basically your Tom Crean) And after the Ice Ice baby comment, I would suggest getting checked for tone deafness.Africa Bambatta, Jazzy Jay, Rick Rubin, Def Jam, etc all came before Dre. The entire Chronic album is direct rip offs of old soul/funk records and that was 1992. (Pete Rock, DJ Priemier, Bomb Squaud, etc. were all active). It's fun to listen to, but where is the genius in that? The Ice Ice Baby ripoff of Under Pressure sounds like a Dre beat.
Just my opinion that he's overrated as a producer. He had timing, and eventually resources in his side. If you look up anything he's done after the sampling laws hit, there are 2-3 other producer credits on every track meaning he got stuck when he could fall back on a classic sample that wasn't even chopped or used creatively. The Dust Brothers did Pauls Boutique right around the same time on the same equipment as Straight Outta Compton.
I know both to be tracers ...Obviously I'm partial to the sampled over the sampler.
WTF? That's like not being able to beat a 2/3 zone 17 years into coaching.
Dre is to rap what Hendrix was to rock. The dividing line. Pre Jimi all songs were acoustic compositions and arrangements played on electric instruments. He was rocks first real "electronic" composer. After Jimi all rock music sounded different. Rap is the same, Dre was rap's first real musical composer, everything after him sounded different. They are the Jesus Christ of their respective forms. BH AH for rock timeline. BD and AD for rap.
Chronic is the definitive line. That's where it all comes together. And just to get this straight, it's not like Dre (or Jimi) invented the T or the H or the I or the N or the G. They weren't working in an isolated vacuum without influence from other (then) present and past artists but they put it all together and made the "thing". When all of your peers copy the thing, well, that's true creativity.I think this is right. I'm on my phone and will be short, but... you mentioned cartoonish. You can still hear a tinge of some of that in Straight Outta Compton. The back ground beats are kind of like Nintendo computer games on a few tracks. Plus, there are songs songs like Express Yourself which are still in the vein of that easy going 80's hip hop style.
Looking back it's easy to take your finger and point to NWA and SOC... partly because of who was in it and because of the title track.
But fast forward a couple years to about 92 and the gangsta rap style was full on, propelled by Dre' s the Chronic. There were others like Too $hort who had been working in relative obscurity that would find national fame with a similar style at about the same time.
I was young, white, and in the Midwest so I'm sure I was the last one to hear it (ironically making my demographic a decent guage of when something became mainstream), but I remember it mostly as "Aint Nuthin but a G Thang" followed closely by Snoop's 1st track on Doggystyle (Gin and Juice??) and then boom.... it was on... Tupac, Biggie and a bunch more.
So yeah.... kind of before Dre and after Dre.
I think this is right. I'm on my phone and will be short, but... you mentioned cartoonish. You can still hear a tinge of some of that in Straight Outta Compton. The back ground beats are kind of like Nintendo computer games on a few tracks. Plus, there are songs songs like Express Yourself which are still in the vein of that easy going 80's hip hop style.
Looking back it's easy to take your finger and point to NWA and SOC... partly because of who was in it and because of the title track.
But fast forward a couple years to about 92 and the gangsta rap style was full on, propelled by Dre' s the Chronic. There were others like Too $hort who had been working in relative obscurity that would find national fame with a similar style at about the same time.
I was young, white, and in the Midwest so I'm sure I was the last one to hear it (ironically making my demographic a decent guage of when something became mainstream), but I remember it mostly as "Aint Nuthin but a G Thang" followed closely by Snoop's 1st track on Doggystyle (Gin and Juice??) and then boom.... it was on... Tupac, Biggie and a bunch more.
So yeah.... kind of before Dre and after Dre.
When I was a kid, I got the living shit beat out of me on a playground in Chrisney, Indiana because I said Led Zeppelin and Pink Floyd were actual musicians, and Kiss were a bunch of clowns. I grew up in a household in which King Crimson, Neil, Led Zep, Uriah Heep, Floyd, Beatles etc played all the time. When I heard Kiss at first I thought it was a joke.
NWA was rap, and I have always been a Scott63152 about rap.....I am a sonic racist when it comes to that genre. That said, NWA was completely anti-establishment and more "rock n roll rebel" than Kiss ever was. Now, Kiss was influential, a lot of musicians got into playing thanks to them. NWA completely transformed rap...rap went from Will Smith's asinine bullshit to something that threatened the white power structure. That is totally rock n roll, in the rebellious spirit, at least.
Dude - when I was born, they took me home from the hospital to Chrisney. Go Wildcats! Beat Hickory!
I lived off of what they are now calling county road 100. Other than the playground beat down, I enjoyed living there.
I knew some screwballs from Tell City once. Ed Mayhew and HF Smith. They were probably a little older. We went to Boy Scout camp at Philmont together 30 years ago.I lived off of what they are now calling county road 100. Other than the playground beat down, I enjoyed living there.
Did you get your ass beat there?Dude - when I was born, they took me home from the hospital to Chrisney. Go Wildcats! Beat Hickory!
I knew some screwballs from Tell City once. Ed Mayhew and HF Smith. They were probably a little older. We went to Boy Scout camp at Philmont together 30 years ago.
I graduated in 1988 so they were actually a little younger.Those names are not ringing bells. I graduated in 87, but Homercles may know them.
Did you get your ass beat there?
Too Short was way before Chronic. I picked up his tapes Born to Mack and Life Is....my sophomore and junior years in 1988 and 1989. I Ain't Trippin was my HS anthem.
I consider Too Short old school. NWA and the offshoots were sort of the new west coast awakening. gangsta rap.
who ya got.
I gotta side with NWA on this.
Kiss sucks.
NWA is much more talented. Not even a contest. But I would rather be KISS/Gene Simmons back in the day