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About a week ago I binged The Pacific, the HBO follow-up to Band of Brothers about the Marines in WWII. After that, I started the audiobook Helmet for My Pillow by Robert Leckie. Helmet had been one of the two main sources for The Pacific, and Leckie was a main character in the series.

First, the book is read by the actor that played Leckie, an excellent choice. Second, Leckie had been a reporter before and after the war which really comes through, the book is a "can't put down" book.

Leckie decided to write the book after he stormed out of watching South Pacific and said to his wife that someone needed to tell Americans the war in the Pacific wasn't singing and dancing.

Leckie is a big believer that the Marines/soldiers weren't really given good motivation to fight. "Beating the Japs" isn't a cause, it is an end. He thinks the troops became sardonic because they couldn't see the big picture, the "Four Freedoms' could not be turned into a marching song, it could not be screamed at men cowering in their foxhole. We needed more, and he frequently suggests what we needed was a song. He uses Bill Mauldin's comics as an example of how the average fighting man was so sardonic.

Unlike Band of Brothers, where everyone has a love for Winters, there aren't officers that receive such praise. He does comment about some being brave, but usually, that offsets some other weakness of character. If anyone wants a good book on a first-person account of Guadalcanal through Peileliu, this is it. Next up is the second sourcebook for The Pacific, With the Old Breed by Eugene Sledge.
 
I absolutely love Last Chance U. All of the previous seasons have been about Juco football, but the newest season is basketball, and I think it’s even better. This coach seems like a decent guy too.
 
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Yes I saw it. Not sure if you’ll like it or not. I thought it was good, not great. Twisty.
Finished it up the other night. I'll agree, very good but not great. About two episodes too long. The twist before the final twist wasn't a huge surprise, but the twist after the twist was. At least for me. SWMBO says she saw it coming, but I think she's yanking my chain.
 
Followup:

Read it today (Ishiguro's Klara and the Sun). It was every bit as good as Never Let Me Go.

Just as in his previous novel, about halfway through, the reader discovers what's really going on, and by the time it's revealed, the reader has already figured it out. I was actually a little disappointed, because I felt that particular twist was a little too obvious and cliché. But I later realized that was just me nitpicking what was clearly a masterwork of English literature.

If anything, it might be even better than Never Let Me Go, simply because there is so much more going on. The narrator is an AI, but the story is every bit as much about the humans the AI interacts with as the AI itself. So it's simultaneously a story that asks whether the young can truly understand love, a philosophical treatise on the role of humanity in a fully automated society, a meditation on how society might reorganize itself (not necessarily for the better) in a world in which most labor is no longer necessary, and an exploration of the lengths parents might go to in order to ensure that their children are accepted as the lucky few, the elite, even if that requires medical procedures that might come with severe risks.

It's part Brave New World, part Gattaca, part Romeo and Juliet, part Bicentennial Man. But for all the Huxley and Asimov, it's unmistakably Ishiguro. Although, slightly different. A little more upbeat than what might be expected from the recognized master of melancholy.

But it's not just a love story, or a science-fiction (like the previous book, just barely) novel, or a political statement. It's also, on some level, a religious experience. If Phillip K. Dick asked about electric sheep, one of the questions Ishiguro raises is, How does an android pray?

One of the interesting things Ishiguro does is describe how the narrator sees the world in a way that makes it clear she, as an AI, sees existence very differently than humans do. Her vision is compartmentalized, fragmented, almost like a wall of TV screens, but they sometimes blend together into a single view when she is focused on one important thing, only to break apart into many different views as she becomes disoriented. It's very effective in making the reader understand that he/she is not intended to read this book as a normal human, but as something other.

I have to admit, until last year, I was relatively unaware of Ishiguro's genius. He wrote that one book that I had a faint idea had been well-received and turned into a film. That was about it. But I was so blown away by Never Let Me Go, that I immediately put a hold on Klara and the Sun, and when I discovered that there were dozens of people ahead of me for the local library's three digital copies, I drove to B&N and bought my first new release hardcover since Harry Potter.

I have to say that this man is clearly one of the best authors of the past century. The Nobel was well-earned. Definitely a recommend. I read this novel in one evening, and immediately passed it off to someone else, and said, "Don't start this tonight, because it's too late, but read this; it's one of the best books I've ever read." If you haven't read him yet, please do. For me, I'm going to go back and read The Remains of the Day, that book I was only vaguely aware of until now. Then I'll probably read the rest of the Ishiguro oeuvre.
 
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Minari and Nomadland were both excellent. Loved the grandma in Minari. And Frances McDormand is Francis McDormand.
It was a strange day at the movies watching Nomadland. My friend along with myself were the youngest there -- and she's 15yrs younger than me. I was the only guy.
The rest we a lot of elderly, certainly women in the autumn of their lives watching it.
I had a flashback of me in Bordeaux in my teens; walked into a cinema trying to kill time before a train to Madrid -- and watching what I thought was a french version of Chitty chitty bang-bang. It was all full of old people. It landed up being some serious porn movie!

Anyway, Nomadland's a movie that's many things for different people. But I think for the majority of the audience it was a fairly singular message for self-reflection.

Minari is the quintessential American story. The kid and the nana were the stars of the movie. It was the perfect vehicle or casting for Will Patton's perennially creepy smirk.
 
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It was a strange day at the movies watching Nomadland. My friend along with myself were the youngest there -- and she's 15yrs younger than me. I was the only guy.
The rest we a lot of elderly, certainly women in the autumn of their lives watching it.
I had a flashback of me in Bordeaux in my teens; walked into a cinema trying to kill time before a train to Madrid -- and watching what I thought was a french version of Chitty chitty bang-bang. It was all full of old people. It landed up being some serious porn movie!

Anyway, Nomadland's a movie that's many things for different people. But I think for the majority of the audience it was a fairly singular message for self-reflection.

Minari is the quintessential American story. The kid and the nana were the stars of the movie. It was the perfect vehicle or casting for Will Patton's perennially creepy smirk.
I watched Nomadland at home. But ever since I was young, I wanted to get an RV and travel the country. I’d like to have a little more money than her, but that lifestyle has always been attractive to me.
 
I watched Nomadland at home. But ever since I was young, I wanted to get an RV and travel the country. I’d like to have a little more money than her, but that lifestyle has always been attractive to me.
I always found driving an RV work, I haven't liked the couple times I tried it. Reminds me of my student days driving an IU bus.

I liked the movie, but I did not find it a best picture type movie.
 
I watched Nomadland at home. But ever since I was young, I wanted to get an RV and travel the country. I’d like to have a little more money than her, but that lifestyle has always been attractive to me.

Some of the travellers I have met in the area -- have interesting stories. The usual backpackers who go from country to country living in cheap-ass places.
There was a couple I met trekking through the jungles of the Golden Triangle in Northern Thailand many years ago -- He was from South Africa, and she was a policewoman from London. She rented out her flat in London and he quit his job. And I think somehow had enough money to travel economically.
They bought those around the world ticket (fixed price but only one-directional) and started hopping from country to country till they got sick of it. I think it was a 3-5 year trip.

They made it down to SG at one point, house-sat for me, I had a bunch of needy cats that needed attention whilst I went off to Munich for Octoberfest for a few weeks.
They eventually settle down in Cape Town. Still in-touched with them with an open invitation to visit anytime.
 
Anyone not watching Atlantic Crossing on PBS is missing out. Absolutely top notch. It’s the story of the Norwegian royal family during WWII, and so much more.
 
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Riders of justice.


Riders of Justice (Retfærdighedens Ryttere in Danish) is a dark comedy film directed by Anders Thomas Jensen. The film explores the basic theme of tragedy that is coincidental but at the center of the story are few characters who have a hard time accepting it.

A movie that has many layers to it. One of the best movies so far this year (along with Nomadland and Minari). So much to ponder or self-reflect --- titillates your grey matter after you finish watching it.
 
Great movie!
Yes, and there’s a fine line between exploring the country in an RV and running away. Very touching movie, and yea Frances is great once again! She’s probably my favorite actress.
 
Riders of justice.


Riders of Justice (Retfærdighedens Ryttere in Danish) is a dark comedy film directed by Anders Thomas Jensen. The film explores the basic theme of tragedy that is coincidental but at the center of the story are few characters who have a hard time accepting it.

A movie that has many layers to it. One of the best movies so far this year (along with Nomadland and Minari). So much to ponder or self-reflect --- titillates your grey matter after you finish watching it

I like Mikelson, but it's subtitles ?
 
don't do foreign films with subtitles, but oddly we do watch with closed captions a lot.
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Yes, and there’s a fine line between exploring the country in an RV and running away. Very touching movie, and yea Frances is great once again! She’s probably my favorite actress.
Leisure Seeker and About Schmidt are a couple of really good RV odyssey movies. Both well acted by some of the best, Helen Marin, Donald Sutherland, and Jack Nicholson.
 
I like Mikelson, but it's subtitles ?

Yes!! I speak three (and a half) languanges but unfortunately Danish isn't one of them!
It's a movie it has every human emotion involved.

Probably can be made into a Hollywood style movie -- a simplified dark comedy action movie. But may lose the core of its message -- Rationalisation (in this case, math/technology, religion) versus acceptance/fatalism.
It's a study of the human condition in dealing with a disaster/adversity/grief.

When you finish the movie, you come out of it questioning yourself. Then projecting onto a bigger canvas/society -- how we as a whole deal with adversities ie. social conditioning at its core.

btw Mikelson is such a fantastic actor -- a chameleon. The range of personalities/characters he plays if you look at his body of work is extraordinary.
 
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Wife likes a lot of Brit shit and it helps me understand wtf they're saying.
I think the brit shit seen in the States is only the tip of the iceberg....

The American accent is the lowest common denominator -- which is why its movies are most transferable/sellable. (But unfortunately so are the themes.)
Its an amalgamation of various accents -- from the Irish, Scandis, german and obviously 'british'.

So if you ever travel outside the M25 (ring road) ie outside Greater London and especially the North, the variance is tremendous.

Even cities that are 25-30 miles apart can have huge differences. I have no problems understanding the manc (Manchester) accent. But if I drive 25miles further west into Liverpool, I would get max, 50% of what they are saying.
That's when I would need subtitles!

Other parts of the UK: Yorkshire maybe 70%, Welsh 90%, Birmingham 60%, Scottish 60%, Geordie 60%
 
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Spent my lazy Saturday streaming season 1 of Beforeigners, a Norwegian series streaming on HBO Max about the sudden arrival, by an unknown mechanism, of people from the past. Specifically, people begin appearing from three distinct time periods: the stone age, the Viking age, and the late 19th century.

It's a pretty good story. There are aspects of it that use discrimination against both the time refugees and "transtemporals" (modern humans that identify with one of the past cultures) that are so in your face, it's hard to tell if the show is attempting to be ultra-woke or caricature the ultra-woke, so if you have a particular opinion on that issue (and if you're reading this post, you probably do), you may either love or hate those parts of the show, depending on what you think the show is trying to do there.

But at its roots, it's really just a solid mystery story, which is only partly resolved at the end of the 6-episode arc. Season 2 comes out late this year or early next year. And there are a couple of really solid acting performances. Finnish actor Krista Kosonen plays Alfhidr, a Viking shieldmaiden who, twenty years after the mysterious arrivals begin, becomes the first Viking member of the Oslo Police, and who is also hiding her warrior past, as her former career would have made her ineligible for the police academy. Her character is thrown a huge twist right at the end of the season. She's very good in this role, as is Stig Henrik Hoff as Thorir Hund, a pagan Norse war leader who Alfhidr did her shieldmaidening for in the past, and who lost his memory upon arrival in the present.

Overall, it didn't blow me away, but I'm mildly looking forward to the next season.
 
Got a new 77” LG OLED so rewatching GOT with the surround system. Feels like real cinema. I have a feeling every April my wife and I will throw on some episodes to remember the good times watching that show. I also miss talking GOT and the speculation on this site. Those were fond memories.
 
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Got a new 77” LG OLED so rewatching GOT with the surround system. Feels like real cinema. I have a feeling every April my wife and I will throw on some episodes to remember the good times watching that show. I also miss talking GOT and the speculation on this site. Those were fond memories.
A spin-off is coming
 
Another show I've been streaming this week: Miracle Workers. It's an anthology comedy series staring Daniel Radcliffe, Steve Buscemi, and others. The first season was set in a corporate Heaven where capitalist drones - I mean "angels" - are tasked with overseeing Earth. The second season, which I'm just starting, is set in a fiction middle ages type kingdom, and is completely unrelated to the first season, although the main actors are the same.

So far I've enjoyed it.
 
Another show I've been streaming this week: Miracle Workers. It's an anthology comedy series staring Daniel Radcliffe, Steve Buscemi, and others. The first season was set in a corporate Heaven where capitalist drones - I mean "angels" - are tasked with overseeing Earth. The second season, which I'm just starting, is set in a fiction middle ages type kingdom, and is completely unrelated to the first season, although the main actors are the same.

So far I've enjoyed it.
Goat - can't recall if you are a podcast listener, but Ft. Meigs has a really great podcast about the War of 1812 (published by the Fort Meigs Historic Site. It’s a great listen, full of contemporary accounts and even music. Reminds me a little bit of Dan Carlin but less in your face. https://www.fortmeigs.org/podcast/
 
I just finished The Bomber Mafia, mentioned in another thread as Dan Carlin helped Malcolm Gladwell with the book. I have really liked Gladwell's writing and this is no different. The book is about the generals who decided that daylight precision bombing was the solution to war, and about Curtis LeMay who pretty much put an end to it. I found the audiobook interesting. Its use of sound effects and music is not common in the other books I have listened to on Audible. At first it was a bit distracting.

There is a great debate to be had about the effectiveness and desirability of daylight precision bombing. Today of course it is very possible. I am just curious in a war of survival if it would work as expected. Mind one, terror bombing also doesn't have a real successful track record. If one finds this era of history interesting, this book is a great choice.
 
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I just finished The Bomber Mafia, mentioned in another thread as Dan Carlin helped Malcolm Gladwell with the book. I have really liked Gladwell's writing and this is no different. The book is about the generals who decided that daylight precision bombing was the solution to war, and about Curtis LeMay who pretty much put an end to it. I found the audiobook interesting. Its use of sound effects and music is not common in the other books I have listened to on Audible. At first it was a bit distracting.

There is a great debate to be had about the effectiveness and desirability of daylight precision bombing. Today of course it is very possible. I am just curious in a war of survival if it would work as expected. Mind one, terror bombing also doesn't have a real successful track record. If one finds this era of history interesting, this book is a great choice.
I did not think Dan Carlin helped Gladwell with the book. Gladwell was on Carlin's Addendum podcast, but there was no mention (nor even a hint) that Carlin assisted with the book. In fact, it seemed quite the opposite. But perhaps I missed something?
 
I did not think Dan Carlin helped Gladwell with the book. Gladwell was on Carlin's Addendum podcast, but there was no mention (nor even a hint) that Carlin assisted with the book. In fact, it seemed quite the opposite. But perhaps I missed something?
I was just going by what I thought I read in a thread where Carlin was discussed, I am quite probably wrong above.
 
I did not think Dan Carlin helped Gladwell with the book. Gladwell was on Carlin's Addendum podcast, but there was no mention (nor even a hint) that Carlin assisted with the book. In fact, it seemed quite the opposite. But perhaps I missed something?
Carlin specifically mentioned that he did not even plan to read the entire book before their interview but ended up getting sucked in, so it is unlikely he helped with it. Their conversation did not give me the impression they knew each other...
 
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Carlin specifically mentioned that he did not even plan to read the entire book before their interview but ended up getting sucked in, so it is unlikely he helped with it. Their conversation did not give me the impression they knew each other...
Yes, that's what I recalled, and why I had the same impression regarding Carlin's lack of involvement. And that was a really great interview/conversation between Gladwell and Carlin. Two completely different styles that meshed perfectly.

It reminded of finding out that two TV shows live in the same universe (i.e., TV show crossovers) - aka, the Tommy Westphall universe hypothesis. :)
 
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Followup:

Read it today (Ishiguro's Klara and the Sun). It was every bit as good as Never Let Me Go.

Just as in his previous novel, about halfway through, the reader discovers what's really going on, and by the time it's revealed, the reader has already figured it out. I was actually a little disappointed, because I felt that particular twist was a little too obvious and cliché. But I later realized that was just me nitpicking what was clearly a masterwork of English literature.

If anything, it might be even better than Never Let Me Go, simply because there is so much more going on. The narrator is an AI, but the story is every bit as much about the humans the AI interacts with as the AI itself. So it's simultaneously a story that asks whether the young can truly understand love, a philosophical treatise on the role of humanity in a fully automated society, a meditation on how society might reorganize itself (not necessarily for the better) in a world in which most labor is no longer necessary, and an exploration of the lengths parents might go to in order to ensure that their children are accepted as the lucky few, the elite, even if that requires medical procedures that might come with severe risks.

It's part Brave New World, part Gattaca, part Romeo and Juliet, part Bicentennial Man. But for all the Huxley and Asimov, it's unmistakably Ishiguro. Although, slightly different. A little more upbeat than what might be expected from the recognized master of melancholy.

But it's not just a love story, or a science-fiction (like the previous book, just barely) novel, or a political statement. It's also, on some level, a religious experience. If Phillip K. Dick asked about electric sheep, one of the questions Ishiguro raises is, How does an android pray?

One of the interesting things Ishiguro does is describe how the narrator sees the world in a way that makes it clear she, as an AI, sees existence very differently than humans do. Her vision is compartmentalized, fragmented, almost like a wall of TV screens, but they sometimes blend together into a single view when she is focused on one important thing, only to break apart into many different views as she becomes disoriented. It's very effective in making the reader understand that he/she is not intended to read this book as a normal human, but as something other.

I have to admit, until last year, I was relatively unaware of Ishiguro's genius. He wrote that one book that I had a faint idea had been well-received and turned into a film. That was about it. But I was so blown away by Never Let Me Go, that I immediately put a hold on Klara and the Sun, and when I discovered that there were dozens of people ahead of me for the local library's three digital copies, I drove to B&N and bought my first new release hardcover since Harry Potter.

I have to say that this man is clearly one of the best authors of the past century. The Nobel was well-earned. Definitely a recommend. I read this novel in one evening, and immediately passed it off to someone else, and said, "Don't start this tonight, because it's too late, but read this; it's one of the best books I've ever read." If you haven't read him yet, please do. For me, I'm going to go back and read The Remains of the Day, that book I was only vaguely aware of until now. Then I'll probably read the rest of the Ishiguro oeuvre.
Did you ever read The Remains of the Day? I think it is his best work. I just started Klara and the Sun.
 
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