Dumber...Are you saying Jesus Christ is a sexual predator? WJCFOS?
Would Jesus commit forced oral sodomy? Would Kansas (or was it Oklahoma?) convict him? Am I now going to hell just for asking? Religion is confusing.
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Dumber...Are you saying Jesus Christ is a sexual predator? WJCFOS?
Would Jesus commit forced oral sodomy? Would Kansas (or was it Oklahoma?) convict him? Am I now going to hell just for asking? Religion is confusing.
Shut up nutsack, I'm not talking to you.Dumber...
Were did you get that photo of C$ and I dressed for golf? I get to be Jim Carrey though. Have you seen Jeff Daniels' wife?So you're saying C-$ and Foosier?
I could see that.
Foosier isn't dumb, he's just boring and wit disabled... C-$ is without doubt dumb.So you're saying C-$ and Foosier?
I could see that.
Foosier isn't dumb, he's just boring and wit disabled... C-$ is without doubt dumb.
No, I'm actually in a great mood, it's just that, well, you're dumber than a box of fking hammers and you need to be told.You're upset...
No, I'm actually in a great mood, it's just that, well, you're dumber than a box of fking hammers and you need to be told.
Do you know the difference between writing an adaptation vs writing original screenplays? Of course you don't because common people with average IQ's don't think in concept. This show went from being a pure adaptation to something else, not an original as the story is already set but an almost original. Adaptations tend to have more depth because the writer isn't the main creator and is fleshing out and adding detail. The majority of creation is finished. Originals tend to be a little thinner in story and character depth, because the writer has to think more and in detail, but also tend to move quicker. GoT, currently, is wavering towards the latter. Not completely, yet, but it's obvious the writing has suffered.
Some writers are great at one or the other, very few are great at both and I'm not sure these guys have the chops to write this on their own ability. Much of last season and all of this one are transparent and predictable as any idiot level TV show, and mostly filled with TV writing gadgets and machinations. Which is as far away as anyone can get from GoT in it's pure book form. Martin was never predictable, his characters aren't cliche'.
In TV world, someone always suddenly saves the day and the good guys win. In TV world, a person always talks about something profound just before they die. There's always closer to every story arc. American idiot audiences like closer. In Martin world, they die, and no one gets to say anything profound, no one saves the day, no one ever really wins, and there's never any closer. Just frustration of what could have been. These guys have lost sight of that and are writing proven paint by number TV techniques that only impress the clueless. Bran's trips to the past are the cheapest and weakest...
It's still early in the season, so there's a chance... we'll see I guess.
No, I'm actually in a great mood, it's just that, well, you're dumber than a box of fking hammers and you need to be told.
Do you know the difference between writing an adaptation vs writing original screenplays? Of course you don't because common people with average IQ's don't think in concept. They are instead impressed by shiny brass buttons. This show went from being a pure adaptation to something else, not an original as the story is already set but an almost original. Adaptations tend to have more depth because the writer isn't the main creator and is fleshing out and adding detail. The majority of creation is finished. Originals tend to be a little thinner in story and character depth, because the writer has to think more and in detail, but they also tend to move quicker. GoT, currently, is wavering towards the latter. Not completely, yet, but it's obvious the writing has suffered.
Some writers are great at one or the other, very few are great at both and I'm not sure these guys have the chops to write this on their own ability. Much of last season and all of this one are transparent and predictable as any idiot level TV show, and mostly filled with TV writing gadgets and machinations. Which is as far away as anyone can get from GoT in it's pure book form. Martin was never predictable, his characters aren't cliche'.
In TV world, someone always suddenly saves the day and the good guys win. In TV world, a person always talks about something profound just before they die. There's always closer to every story arc. American idiot audiences like closer. In Martin world, they die, and no one gets to say anything profound, no one saves the day, no one ever really wins, and there's never any closer. Just frustration of what could have been. These guys have lost sight of that and are writing proven paint by number TV techniques that only impress the clueless. Bran's trips to the past are the cheapest and weakest...
It's still early in the season, so there's a chance... we'll see I guess.
TL;DR
Here, I will simplify it for you. In all seriousness, and being bluntly honest - you're a moron.
I think of GOT like The Wire... In that it's just like a novel. Can't judge each episode, just like you wouldn't say that chapter sucked. Lots of pieces to be put in place first. The payoff is always worth it.I forgot Tyrion. That was a great twist. And it was very well done. Peter Dinklage and Conleth Hill are an A++++ acting team. I love how they work off each other.
I'm just saying, the first two episodes have been...slow. They are putting the pieces in place. It sucks to waste two episodes of a ten episode season on putting the pieces in place, but I'm confident in where those pieces are ending up that things are going to start to go nuts very quickly.
I like it so far.
The whole reason Benioff and Weiss created the show was to adapt the Red Wedding for television. That was their goal. Everything else is just fancy fan fiction.No, I'm actually in a great mood, it's just that, well, you're dumber than a box of fking hammers and you need to be told.
Do you know the difference between writing an adaptation vs writing original screenplays? Of course you don't because common people with average IQ's don't think in concept. They are instead impressed by shiny brass buttons. This show went from being a pure adaptation to something else, not an original as the story is already set but an almost original. Adaptations tend to have more depth because the writer isn't the main creator and is fleshing out and adding detail. The majority of creation is finished. Originals tend to be a little thinner in story and character depth, because the writer has to think more and in detail, but they also tend to move quicker. GoT, currently, is wavering towards the latter. Not completely, yet, but it's obvious the writing has suffered.
Some writers are great at one or the other, very few are great at both and I'm not sure these guys have the chops to write this on their own ability. Much of last season and all of this one are transparent and predictable as any idiot level TV show, and mostly filled with TV writing gadgets and machinations. Which is as far away as anyone can get from GoT in it's pure book form. Martin was never predictable, his characters aren't cliche'.
In TV world, someone always suddenly saves the day and the good guys win. In TV world, a person always talks about something profound just before they die. There's always closer to every story arc. American idiot audiences like closer. In Martin world, they die, and no one gets to say anything profound, no one saves the day, no one ever really wins, and there's never any closer. Just frustration of what could have been. These guys have lost sight of that and are writing proven paint by number TV techniques that only impress the clueless. Bran's trips to the past are the cheapest and weakest...
It's still early in the season, so there's a chance... we'll see I guess.
That's a good point, but the average GRRM novel is, what, about 600 pages? If I read the first 120 pages of WOW (assuming he ever writes it), and this is as far as the story's gotten at that point, it will be accurate to criticize it as bad writing. Yes, you need to set the table, and yes, moving too fast can also be bad (see every Dan Brown novel, e.g.), but plots do, after all, eventually have to move.I think of GOT like The Wire... In that it's just like a novel. Can't judge each episode, just like you wouldn't say that chapter sucked. Lots of pieces to be put in place first. The payoff is always worth it.
So what's the average length, then? 700? 800? Whatever it is, if GRRM (or any author) spends 20% of a novel on setup, he's not doing his job correctly.Goat, all but one of the books are under 1,100 pages. Just FYI.
So what's the average length, then? 700? 800? Whatever it is, if GRRM (or any author) spends 20% of a novel on setup, he's not doing his job correctly.
Touche.Says the guy who hasn't updated the OTF murder mystery in 6 months. Talk about a setup...
So what's the average length, then? 700? 800? Whatever it is, if GRRM (or any author) spends 20% of a novel on setup, he's not doing his job correctly.
That's because he doesn't make such amateur mistakes. I said if he spent all that time on setup, he'd be a bad writer. But he doesn't. In the first 10% of AGOT, he has white walkers killing people, Catelyn discovering Jon Arryn's murder, and Bran being pushed out the window. In other words, while he was introducing his readers to all the players involved, he was also already moving the action along.GRRM has a readership of millions, people clamoring for the sequels, and the series based on his books is the number one rated cable show.
I kinda think he is doing his job correctly.
Now I am going to go put on my GRRM footie-pajamas.
The whole reason Benioff and Weiss created the show was to adapt the Red Wedding for television. That was their goal. Everything else is just fancy fan fiction.
It's still a very good show. I'm not nearly as down on it as you appear to be. But don't be surprised if, when it's all over, we look back at season 3 as the high water mark.
Let me add, as a follow-up to both @zeke4ahs and @T.M.P., one of the problems with the show can be directly tied back to a major problem with the book series itself, and that is, in fact, GRRM's plot problem. There is no single major plot running throughout the series. Instead, there are just a bunch of subplots that are temporarily raised or lowered in importance at various points. The only book that truly had a single, tightly structured plot was the first one, and that plot ended when Ned Stark's head left his shoulders. ASOIAF is, in reality, a giant soap opera, and it makes perfect sense that the TV show is becoming a soap opera, as well.
I think this is one of the major reasons GRRM is having such a difficult time ending the story (besides him just being lazy). I don't think even he really has any idea where the story is going or where it's supposed to end up. I think he just had some vague notion of moving generally in a certain direction, but never really had a plan for how to get there. I think he kills off characters when he realizes there's a subplot that's become a loose end, but that just leads to even more problems, because you can't just ignore the consequences of someone being killed. This is a problem faced by many writers, of both books and screenplays. It's famously why Lost sucked at the end.
I don't know much about that, but it makes sense. On second thought, I think Book 2 has a pretty tight plot structure, too. But you can already see things start to unravel a bit in the third book, although that may have been because he originally tried to squeeze too much into one book, rather than because he was confused about where he wanted to go.His mistake was making the children too young. He's had a finished outline for 20 years. The book originally had a five year gap after the red wedding. When he decided to fill the five years the story expanded and then changed. Now, he has a full belly and there's no reason to hurry.
Next week's show is going to show an oath being broken with Jamie front and center.I'm starting to get so damn confused because I'm currently listening to the 5th book during my commute and there are plot line differences between the book and the show. Oathkeeper was the name of the sword Jamie gave Brianne so I would assume she (or it) will play a major role in next week's episode in a play on the Oathbreaker thing. I have really liked the first 2 episodes and GOAT can suck it.
The whole reason Benioff and Weiss created the show was to adapt the Red Wedding for television. That was their goal. Everything else is just fancy fan fiction.
It's still a very good show. I'm not nearly as down on it as you appear to be. But don't be surprised if, when it's all over, we look back at season 3 as the high water mark.
It's saving grace is the characters Martin created but it's losing it's Martin like quality and so are some of the characters. Jamie and Marcella talk about her parentage, and then she dies. Cliche' TV. When all is lost, Brienne rides in to save the moment. Cliche TV. Both so obviously predictable that C-$ could've have seen it coming. Well, maybe not that obvious, but still obvious. It's basically turning into a common TV show.
Last night I kept going downstairs and smoking bowls while the show was on. "I thought you wanted to watch this?" ... "He's going to kill his father".. "Smoking again?" ... "The wolf will look up just before Jon wakes" ....American TV audiences like transparent predictability, it makes them feel smart.
It's predictable and has been since last year. When you can guess who is going to die, and how, you're not watching a GRR story, you're watching common TV. I liked Martin's unpredictability and odd paths in story and plot. It was the main reason I read the books. He didn't take the linear obvious path.
Someone has to do it...
What's happening next week?
Just because some of these scenes and story lines start to reveal themselves during the show, doesn't mean they were predictable heading into it. And it doesn't make them "common TV". I predicted about a dozen fairly major events while reading the books. But I was wrong more than I was right. And I had no idea heading into this season that Dorne would eat itself...that Melisandre was actually a withered old woman who needs a necklace to appear young...that Ramsey would kill Roose...that Bran would greensee Hodor as a relatively normal kid named Willis...that the Sparrows would reveal they were possibly out to overthrow an empire. The only thing I did predict was that Melisandre would bring Jon back ala Thoros with Beric Dondarrion. So the final scene, while still compelling and very powerful, didn't shock me as much as it did many others.
So show us your mental prowess. What's going to happen in the next episode?
I predict you're too stupid to talk to and will be ignored.
I predicted she would get naked and lay on top of him to bring him back to life. That she only laid hands on him and he didn't resurrect until everyone had left the room was disappointing. I didn't find that scene compelling, powerful, or shocking. Anyone who found it shocking is a moron.Someone has to do it...
What's happening next week?
Just because some of these scenes and story lines start to reveal themselves during the show, doesn't mean they were predictable heading into it. And it doesn't make them "common TV". I predicted about a dozen fairly major events while reading the books. But I was wrong more than I was right. And I had no idea heading into this season that Dorne would eat itself...that Melisandre was actually a withered old woman who needs a necklace to appear young...that Ramsey would kill Roose...that Bran would greensee Hodor as a relatively normal kid named Willis...that the Sparrows would reveal they were possibly out to overthrow an empire. The only thing I did predict was that Melisandre would bring Jon back ala Thoros with Beric Dondarrion. So the final scene, while still compelling and very powerful, didn't shock me as much as it did many others.
So show us your mental prowess. What's going to happen in the next episode?
Next episode: (disclaimer, I've not read one word of one book so these aren't spoilers just my thoughts).Someone has to do it...
What's happening next week?
Just because some of these scenes and story lines start to reveal themselves during the show, doesn't mean they were predictable heading into it. And it doesn't make them "common TV". I predicted about a dozen fairly major events while reading the books. But I was wrong more than I was right. And I had no idea heading into this season that Dorne would eat itself...that Melisandre was actually a withered old woman who needs a necklace to appear young...that Ramsey would kill Roose...that Bran would greensee Hodor as a relatively normal kid named Willis...that the Sparrows would reveal they were possibly out to overthrow an empire. The only thing I did predict was that Melisandre would bring Jon back ala Thoros with Beric Dondarrion. So the final scene, while still compelling and very powerful, didn't shock me as much as it did many others.
So show us your mental prowess. What's going to happen in the next episode?
The bitch from dorne will march on kings landing.
Don't you mean Willis' ass?I don't like how the series butchered Dorne. Complete, total failure.
The Elder Martell in the books is extremely shrewd, and is planning to join forces w/ Daenarys as soon as her dumbass makes it across the sea.
Other than the incredible boobs of the youngest Sand Snake, the TV Dorne plot just sucks Hodor's ass.
I would greatly appreciate it if somebody ended the bitch from dorne soon. Awful actor.
Hi guys. Been a while.