Jason Aldean was already trolling with the vigilante-themed song 'Try That in a Small Town.' His video will do much worse damage... to country music.
variety.com
I've defended movies, etc. from innuendo attacks or linking them to their creator's other wacky ideas, etc. but this probably needs some explaining:
"The setting, outside the Maury County Courthouse in Columbia, Tennessee, has proven upsetting for some who know or learn the history of the building. It’s where, in 1927, a white lynch mob dragged a young man named Henry Choate through the streets behind a car before finally hanging him from a second-story courthouse window. Let’s give Aldean and video director Shaun Silva the benefit of the doubt and assume they had
not indulged in a history lesson when they decided the same frontage where a Black man was murdered in front of a crowd would be a good place to alternate projected footage of protesters being put down with a draped American flag. (Hard to blame anyone for thinking that this history
did show up in Aldean’s or the filmmakers’ web search on the location, but imagining that they knew that and proceeded anyway, as a known dog whistle, is… just tough to contemplate.)"
Also, pretty good critique here:
But leave aside the uncomfortable connotations that may be there by accident. What do the song and the video
mean to say, outrightly? Considering the single itself, first, it’s been written (not by Aldean but by Kurt Allison, Tully Kennedy, Kelley Lovelace and Neil Thrasher, none having their proudest moments here) in true modern-day “making a list” songwriting style. Only, instead of being a list of what we like about small towns (water towers, corner stores, holding doors open, lack of stoplights, saying “ma’am”), it’s a list of hellishly dystopian tropes about city evils that seems half-borrowed from Hank Williams Jr.’s “A Country Boy Can Survive,” half-borrowed from the Book of Revelation.
. . .
But the most heinous thing the small towns of today have to dread, and ward off with threats, is that somebody will “stomp on the flag and light it up.” Of all the tropes from bygone days that country songwriters are nostalgic for, it’s surprising to see flag-burning join the list. Jason, 1994 called, and it wants its straw man back.
Also: “Cuss out a cop, spit in his face…” This never happens in a small town? Aldean can be excused for not knowing — he’s never lived in one himself — but if he thinks guys outside of big cities have never sworn and spit at cops as they’re getting tossed out of somewhere… has he ever been in a bar?